Kendrick on Screen and in Print.

A TV appearance does not prove a logo: it proves that a pair can hold a camera, a set and a day of live broadcast. Here is the proof Kendrick has gathered, and what it says about the house.

What the proof says about Kendrick

• The line holds on camera. Wide set, tight shot, live broadcast: the silhouette stays readable. This is the heel as structure, seen through a camera.
• The product is recognisable. Karine Ferri’s red ankle boots on The Voice, Maya Lauqué’s in Diverto: the same line from one image to the next.
• Presence needs no effect. Journalists, presenters, artists: women who occupy the space without playing a role. This is the promise of the house.
• The house stays consistent. From ankle boot to pump, from editorial to TV set: one point of view, designed in Paris, crafted in Italy.

beIN Sports

Claire Arnoux

Télématin / Diverto

Maya Lauqué

L’Officiel Lithuania

Shoes Kendrick

Vanity Fair

Kendrick Paris

Seen on screen

Eight appearances, one thread: the silhouette before the set.

In print

Fashion press and editorials: the same line, in another language.

See all TV appearances and press.

For boutiques and buyers

This proof reassures: the brand has already existed in visible contexts. It is the ground for a professional conversation, not a brochure.

The Kendrick line

The night is the occasion. The heel is the structure.

Before the room, there is the line: a black ankle boot that holds the ankle, a heel built as architecture, leather cut and finished in Italy. Start there, then choose the night.

Ankle boots

The black ankle boot

Black heels

Black heels, the essential

Craft

Designed in Paris, crafted in Italy

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